Ham is resting — if that's what you can call 12-hour shifts in Najib Khan's corner shop. The acting work has dried up, but the shelf stacking and 'wagging of chins' with his eccentric Afghan employer is proving fertile ground for his latest project. Prompted by a desire to make his fortune at last, Ham turns to scriptwriting and finds himself confronting the time, 30 years ago, when it all went wrong. Love, lust, jealousy and death — they're all here in Kicking Theatre's bloodiest production. Ham is resting — if that's what you can call 12-hour shifts in Najib Khan's corner shop. The acting work has dried up, but the shelf stacking and 'wagging of chins' with his eccentric Afghan employer is proving fertile ground for his latest project. Prompted by a desire to make his fortune at last, Ham turns to scriptwriting and finds himself confronting the time, 30 years ago, when it all went wrong. Love, lust, jealousy and death — they're all here in Kicking Theatre's bloodiest production. Ham is resting — if that's what you can call 12-hour shifts in Najib Khan's corner shop. The acting work has dried up, but the shelf stacking and 'wagging of chins' with his eccentric Afghan employer is proving fertile ground for his latest project. Prompted by a desire to make his fortune at last, Ham turns to scriptwriting and finds himself confronting the time, 30 years ago, when it all went wrong. Love, lust, jealousy and death — they're all here in Kicking Theatre's bloodiest production. Ham is resting — if that's what you can call 12-hour shifts in Najib Khan's corner shop. The acting work has dried up, but the shelf stacking and 'wagging of chins' with his eccentric Afghan employer is proving fertile ground for his latest project. Prompted by a desire to make his fortune at last, Ham turns to scriptwriting and finds himself confronting the time, 30 years ago, when it all went wrong. Love, lust, jealousy and death — they're all here in Kicking Theatre's bloodiest production.
