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Ursula Le Guin

Dancing at the Edge of the World

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“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World
“I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading.
“If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle
Buku ini saat ini tidak tersedia
391 halaman cetak
Publikasi asli
2017
Tahun publikasi
2017
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Kesan

  • Ivana Melgozamembagikan kesan3 tahun yang lalu
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Kutipan

  • Ofelia Rmembuat kutipan2 tahun yang lalu
    To me the “female principle” is, or at least historically has been, basically anarchic
  • Ivana Melgozamembuat kutipan3 tahun yang lalu
    Virginity is now a mere preamble or waiting room to be got out of as soon as possible; it is without significance. Old age is similarly a waiting room, where you go after life’s over and wait for cancer or a stroke.
  • Selma RLmembuat kutipantahun lalu
    The fiction embodying this myth will be, and has been, triumphant (Man conquers earth, space, aliens, death, the future, etc.) and tragic (apocalypse, holocaust, then or now).

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