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Richard Thomas

Why Bob Dylan Matters

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  • Roberto Garzamembuat kutipan4 tahun yang lalu
    It is an essential part of Dylan’s genius that he is constantly evolving as an artist. This
  • Roberto Garzamembuat kutipan4 tahun yang lalu
    His artistic genius—in his words, music, and voice—create pain, but precisely because of the brilliance of his art on this album, these songs produce recompense for the loss of love and the memory of what had once been.
  • Roberto Garzamembuat kutipan4 tahun yang lalu
    in part because of the sublimation of life experience into art, which is the essence of the album
  • Roberto Garzamembuat kutipan4 tahun yang lalu
    It wasn’t until 2013, when Dylan put out The Bootleg Series Volume 10: Another Self Portrait, with alternate, live, and overdub-free versions, that the brilliance of this period truly came to light, as Marcus himself would eventually acknowledge
  • Roberto Garzamembuat kutipan4 tahun yang lalu
    a return to a new, creative version of the folk traditions that had always been in his blood
  • Roberto Garzamembuat kutipan4 tahun yang lalu
    The song is still urgent in its questions, but it can’t, couldn’t ever, be attached to any one historical event or condition
  • Roberto Garzamembuat kutipan4 tahun yang lalu
    The answer, my friend, is blowin’ in the wind / The answer is blowin’ in the wind.” Is the wind blowing the answer away from us, never to be heard, or blowing it toward us, about to right the injustices of those nine urgent questions? Roman
  • Roberto Garzamembuat kutipan4 tahun yang lalu
    To this day, the attitude of anyone old enough to have had a position on that war probably lines up pretty well with what they think of Bob Dylan the man, even after all these years
  • Roberto Garzamembuat kutipan4 tahun yang lalu
    It is through song that we give depth to the sentiments for which mere speech is at times of crisis insufficient
  • Roberto Garzamembuat kutipan4 tahun yang lalu
    Seven years after those songs came out, as Dylan relates in his memoir, Chronicles: Volume One, it was the message, not the music, that the media and general public recalled
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