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George Leonard Carlson

Learn to Draw Comics

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104 halaman cetak
Tahun publikasi
2012
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Kesan

  • Татьяна Коношановаmembagikan kesan7 tahun yang lalu
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    😄Lucu

    Рисовка напомнила старые диснеевские мультики) В книге есть анатомия персонажей, тень свет, эмоции героев и много полезного для тех кто хочет попробовать нарисовать свой комикс

  • b3074504790membagikan kesan7 tahun yang lalu
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    💩Omong kosong
    💀Mengerikan
    🙈Tidak Mengerti
    🔮Kearifan Tersembunyi
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    💞Romantis
    🌴Buku Bekal Liburan
    🚀Sangat menarik
    😄Lucu
    💤Bosaan!
    🐼Gemas
    💧Menyentuh

    No lo eleido

  • Dannimembagikan kesan3 tahun yang lalu
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Kutipan

  • Jen602membuat kutipan8 bulan yang lalu
    The middle horizontal lines shall be known as the EYE LINE for it is on this that we indicate the eye. Note how the space between the EYE LINE and top of oval is divided into four parts in order to determine the point for the HAIR LINE. Dividing the space between the HAIR LINE and bottom of oval into three parts gives the point for EYEBROW and NOSE lines. The MOUTH LINE is as far below the nose as the eyebrow is above the eye
  • Jen602membuat kutipan8 bulan yang lalu
    Sketching familiar objects is valuable memory training. First, draw something from “life,” and, after a day or so, draw the same thing entirely from memory, comparing it with your first sketch. This cultivates power of observation, which, to the cartoonist is invaluable
  • Dannimembuat kutipan3 tahun yang lalu
    The principal shadows on a face are generally cast by the eyebrows and the nose, and can be compared to a peg inserted in an egg-form with a grove cut above it. The under side of the jaws, below the lower lip, and under the ear-lobes are other shadow areas, depending on the direction of light. The more finished heads shown, are examples of these rules, and arrows indicate the direction from which the light is coming. Indicating detail in a shadow brings out the effect of reflected light as pictured in the head of the old lady with the bonnet.

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