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E. M. Forster

Maurice

Written in 1914 by the Nobel Prize–nominated author of Howard’s End, this intimate portrait of homosexual desire “seems as relevant as ever” (The Guardian).
 
From early adolescence to his college years at Cambridge and into professional life at his father’s firm, Maurice Hall plays the part of the conventional Englishman. All the while, he harbors a secret wish to lose himself from society and embrace who he truly is.
 
Maurice’s first love, Clive Durham, introduces him to the ancient Greeks who embraced same-sex attraction. But when Clive marries a woman, Maurice is distraught enough to seek a hypnotist who might “cure” him of his homosexuality. In his quest to accept his true self, Maurice must ultimately go against the grain of society’s unspoken rules of class, wealth, and politics.
 
Though Forster completed Maurice in 1914, he left instructions for it be published only after his death. Since its release in 1971, Maurice has been widely praised and adapted for major stage productions as well as the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.
 
“The work of an exceptional artist working close to the peak of his powers.” —The New York Times
232 halaman cetak
Publikasi asli
2015
Tahun publikasi
2015
Penerbit
RosettaBooks
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Kesan

  • belyenochiimembagikan kesan2 tahun yang lalu
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  • Theodore Maurice August "Vanderboom" Scarletmembagikan kesan3 tahun yang lalu
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    Absolutly amazing.

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Kutipan

  • b0229367989membuat kutipan6 tahun yang lalu
    “but nothing to speak of, and you don’t love me. I was yours once till death if you’d cared to keep me, but I’m someone else’s now—I can’t hang about whining for ever—and he’s mine in a way that shocks you, but why don’t you stop being shocked, and attend to your own happiness?”
  • Дмитрий Кувшиновmembuat kutipan6 tahun yang lalu
    Maurice had another attack. His hand shook and he spilt the coffee on the arm of the chair. “You’re a bit unfair,”
  • Диана Шпунтенковаmembuat kutipan3 tahun yang lalu
    until Clive ends it by turning to women and sending Maurice back to prison. Henceforward Clive deteriorates, and so perhaps does my treatment of him. He has annoyed me. I may nag at him over much, stress his aridity and political pretensions and the thinning of his hair, nothing he or his wife or his mother does is ever right.

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