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Leonardo Padura

Heretics

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In 1939, the Saint Louis sails into Havana with Jewish refugees seeking asylum. From the docks, nine-year-old Daniel Kaminsky watches as the as his parents are kept on the vessel. But the Kaminskys have a treasure that they hope will save them: a Rembrandt portrait of Christ. Inspector Conde is back to investigate the story of this lost painting.
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770 halaman cetak
Pemilik hak cipta
Bookwire
Publikasi asli
2017
Tahun publikasi
2017
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Kesan

  • Lilián Carrascomembagikan kesan3 tahun yang lalu
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Kutipan

  • Lilián Carrascomembuat kutipan3 tahun yang lalu
    To belong or stop belonging. To believe or not believe. Even to live or to die
  • Lilián Carrascomembuat kutipan3 tahun yang lalu
    Dear Maestro: this wise man confirmed for me at that moment the answer that I have sought for years. For him, seeing your work, there was something that was obvious: art is power. Only that, or especially that: power. Not to control countries and change societies, to cause revolutions or oppress others. It is the power to touch the souls of men and, incidentally, place there the seeds of their improvement and happiness
  • Lilián Carrascomembuat kutipan3 tahun yang lalu
    There is something intimate and mysterious, an unsettling layer below the surface that comes from that face and from that gaze. It is a combination of humanity and transcendence. It is obvious, your Maestro has a power.
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